Since 2024, a process has started to get the practices and know-how of analog film added to the national list of Intangible Cultural Heritage in France. This project is jointly led by the CNC (National Center for Cinema), the artist-run filmlab L’Abominable, and Gilles Chétanian for the Cinematograph Collectors’ Club, and is supported by the Ministry of Culture and the county of the Seine-Saint-Denis.
The project seeks, on the one hand, to map the practices and know-how as they are experienced today throughout the photochemical chain (from shooting to projection, from laboratories to conservation) and, on the other hand, to propose a set of measures to safeguard the future of analog film practices in the years to come.
The work done at L’Abominable in collaboration with institutions on this project complements the day-to-day work carried out within the Filmlabs network with the Spectral and REMI projects, the workshops organized on all our continents, our exchanges during international lab meetings, etc. – always with the aim of ensuring the durability of our practices. The collaborative dimension of the inscription projects, as well as their promotion of a living and transmitted heritage, raises a whole series of questions that are at the heart of our shared labs.
Initiated in France through interviews with film practitioners, the approach is participatory and aims to bring together the commercial and non-commercial sectors, industry and craftsmanship, technicians and artists, professionals and amateurs in order to assess the difficulties and solutions common to different practices.
Anyone who works with film today has a place in this survey, whether you are an assistant cinematographer, archivist, artist, projectionist, teacher, etc.
Given the global nature of these practices and skills, it would make sense for them to be included in UNESCO’s Intangible Cultural Heritage list as an international practice. To do this, UNESCO requires that one or more countries list analog film practices as an intangible cultural heritage. To achieve this goal one day, people in different countries outside of France would need to take parallel action, talking to those who work with film today and approaching institutions that manage the inscription process. If you are interested in pushing this initiative in your country, please do not hesitate to contact us.
As for the situation in France, the project has generated a lot of energy in recent months with the organization of a working group within L’Abominable. This has enabled us to meet many of the people interested in these issues and to visit the artist-run filmlabs in Marseille, Rennes, Nantes, and Paris. The registration process is now well underway, and the aim is to have analog film practices and know-how officially recognized as intangible cultural heritage by the end of 2026.
In addition to the interviews done, we wanted to collect more information that would allow everyone to share their experiences and give the project a quantitative side, through a questionnaire shared across the entire film chain.
If you are in France, we invite you to fill out one of these two questionnaires:
This means you can fill it out for yourself and for your location, association, or company.
This questionnaire is intended to be circulated as widely as possible (lab or otherwise), so please share it with your lab members, friends, and colleagues!
We know that the concept of intangible cultural heritage is not widely known and may raise questions and curiosity. As part of this participatory approach, it is important that everyone feels comfortable with this concept and can use it to further their projects with a view to ensuring the continuity and evolution of film photography practices.
We therefore invite you to an informational video conference (in French) on the registration project on January 22, 2025, at 4 p.m. (Paris time), with members of L’Abominable working group, the CNC, the Ministry of Culture, and the county of Seine-Saint-Denis.
You can register by following this link.
If you are interested in the project and would like to be kept informed, or if you have any questions about international registration, please feel free to write to us at: emmanuel@l-abominable.org
L’Abominable
A quick note on intangible cultural heritage:
Intangible cultural heritage is a relatively new concept, formalized in the 2003 UNESCO convention. In France, the Ministry of Culture is responsible for maintaining an inventory. The request for recognition must come from the “communities” themselves (in this case, those involved in film) who define the “element” to be registered (in this case, the practices and know-how of film photography). The heritage element must be alive and transmitted (thus, lost practices cannot be registered). This inscription requires the collective writing of a summary sheet describing the practices, their history, and the safeguarding measures that have been implemented and are being considered. Once an element has been inscribed in the national inventories of different countries, it is possible to submit a multinational inscription to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.




















